In de pers
René van Peer, Brabants Dagblad12-11-2019
about Crash Blossom
“One of the many highlights of the festival November Music was Crash Blossom by composer and cinematographer Merijn Bisschops. … A performance with so many layers and implications, that you should see it multiple times to uncover everything.”
“One of the many highlights of the festival November Music was Crash Blossom by composer and cinematographer Merijn Bisschops. … A performance with so many layers and implications, that you should see it multiple times to uncover everything.”
Maarten & Wouter de Waal, 3voor1223 april 2019
about Crash Blossom
“From this description you could derive that the performance is quite heavy handed, but that is not always the case – the reactions of the ‘real’ Rianne on her blossoming image often have an unmistakable comical effect, and also the ‘act’ of the film itself (when you can speak of such a thing in regard to this sequence of poetical images) has her humoristic moments, even or especially during intense moments, like the scene where a fully collapsed Blossom awakes on stretch of grass and is poked by a robot lawn mower.”
“From this description you could derive that the performance is quite heavy handed, but that is not always the case – the reactions of the ‘real’ Rianne on her blossoming image often have an unmistakable comical effect, and also the ‘act’ of the film itself (when you can speak of such a thing in regard to this sequence of poetical images) has her humoristic moments, even or especially during intense moments, like the scene where a fully collapsed Blossom awakes on stretch of grass and is poked by a robot lawn mower.”